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POST,MODERN FEMINISM: THE TRANSFIGU, RATION OF REALITY
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POST,MODERN FEMINISM: THE TRANSFIGU, RATION OF REALITY
Annotation
PII
S0321-50750000617-4-
Publication type
Article
Status
Published
Authors
Tatiana M. Gavristova 
Edition
Issue 11
Pages
74-77
Abstract

The article is dedicated to the history of contemporary African art. It examines the process of integration of African women in the professional environment and creativity. The main attention is paid to the problems of historical memory, identity and authenticity. Interest to the past, wonder to rethink it, for example, through the game, define the style of the works of Sokari Douglas Camp, Marcia Kure, Lubaina Himid and other artists, living and working in Africa and abroad.

 

Keywords
postmodernism, contemporary African art, ulism, sankofa
Date of publication
01.11.2013
Number of purchasers
1
Views
1140
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0.0 (0 votes)
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S0321-50750000617-4-1 Дата внесения правок в статью - 28.12.2020
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Additional sources and materials

1. Kasfir S.L. Contemporary African Art. L.: Thames and Hudson, 19991. 4P. 208 
 2. Kuzmin M. Forel' razbivaet led // Kuzmin M. Izbrannoe. M., EhKSMO, 2003. S. 298-317
 3. Gavristova T.M. Neudobnaya pravda (afrikanskie khudozhniki na puti vizualizatsii istorii) // Vestnik YarGU im. P.G.Demidova. 2007. T. 5. Seriya: Gumanitarnye nauki. № 2. S. 11- 16 
 4. Uncomfortable Truth. The Shadow of Slave Trading on Contemporary Art and Design. 20 February - 17 June 2007. L., 2007 
 5. Rozenfel'd A.Z. Tolstoj v izdaniyakh na persidskom yazyke // M., Narody Azii i Afriki. 1962 
 6. Tolstoj L.N. Dzhagra av sula (Tolstoj L.N. Vojna i mir). Perevod na yazyk pushtu L.Bakhanda ( v 4-kh tomakh). M., Peshavar, Tekhnich. otdel izd-va «Momand», 2012, s. 7

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